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Christmas Market in Freiburg im Breisgau

Saturday, December 6, 2008

This morning sixty persons are parties Saint Remy bus to visit the Christmas market in Freiburg, Germany. Our German friends Ottweiler, we were given appointments for the day. The Reims san took the opportunity to meet friends and take a meal together at a restaurant nearby Freiburg. After the feast, return to the market to visit the many cabins stocked with Christmas decorations and take the inevitable mulled wine.

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Christmas Market 2008 exhibition of portraits

Sunday, November 30, 2008, the twinning committee will hold its traditional Christmas market.

It will be held from 9 to 19h room at St. Georges Brassens Rémy (Saône et Loire)

Free admission.

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Hall City Hall Saint Remy

From 14 November to 5 December 2008, an exhibition of portraits by Sandra Tinga in northern Burkina Faso. The photos were taken in summer 2007 during a stay with a group of young people helped by the twinning committee of St Rémy. (Markoye, Pouni, Bobo Dioulasso)

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Match Making my holiday

Instructions for a successful pairing.

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Bernard Plantive #08

We had seen the object in conquering this movement which leads us to the object, in this movement also powerless that we book data incomplete: contact summary only ever accept a reverse movement can resolve, leaving this time the object is to consider, occur in a manner which exposed him to: the condition that he gives himself to us and we will appear.

At the heart of this apparition takes the proper action to anyone who wants to reveal its power. Arbitrariness is first action, mobility in a field that we could not see and yet whose appeal to forms, references in the coincidence of these with forms that reveal causes that are ordered for the unexpected , freedom, the unexpected feeling of having been able to stop when the reference met the significant form: the design of my desires is to be placed at the same level as my tools, my gestures, my material.

In an artist like Bernard Plantive is the will personal to prohibit the perception of his work look beyond what he wants us to perceive, to know the exact dimension of the table , casein, black smoke, these materials-colors, as the term of Charles-Arthur Boyer (1) . The understanding then jumps to a step involved in the perception of a world other than that fixed the "law of good form," as defined in the Gestalt theory (2) , and organization purely physical things. This work is by no means an invitation to a year collection.

Bernard Plantive engages in extreme game that gives the object status of a solid object, eventually, something that can open all the promises, because he has completed his own donation. The object hit, unbeknownst to us, a region where the view of species has not been made universal in the renewal of such general laws that would eventually ignore them and regaining conscious and directly by an artist what makes an object visible otherwise. It is a work of art.

If the object is resistant to any merger into the world of qualities in a membership limited to a world that must elevate to a certainty, because it has granted a different level, naturally rebellious, in a process so primitive and yet so decisive hung on a wall, deriving it to him all the conditions that allow it to show such that it must show who he shows, this object is a singular work of art because it does not let himself look like a simple object. It is a work of art because it is given the privileged field and constantly moving, which remains invisible and unknowable to us, leaving us our turn invisible. Privileged field so that leaves us as a bit clueless when we feel that this world of intuition exists and agrees to deliver a corner of his secret work of art when they manifest. Maybe because it does not bend, it mobilizes no clear representation of the table refuses even more than others to deliver its qualities and give with generosity privileged, as if saying although Merleau-Ponty's "carnal formula" to seeing.

The tables would place under the light most flood light but also the most honest, not the solution austere and ethics of a strict formalism, but instead mark the simplest and most profound of our own ability to perceive, in the recall of basic laws that involves the art to be built.

transfer Strange as prompted by the contemplation of a basic figure on which we would have to use other tools than the simple "recognition of the good form" to decipher the complex mode that keeps : Forgetting the artist's intention, we act on the ground of our most intimate acquaintances, and we realize that we do not really know the nature.

in this community is receptive of things, in an area where you can find the gift that manufacturing holds the artist and that of the emotion that we have played this revelation. But this also depends on receptivity of a certain requirement for it to happen. If this is really watching the work of Bernard Plantive and design that allocating resources according to the joint, discipline is needed, one we should never overlook the significance, as it is, ultimately, the real start of any work. A discipline that would be more than a position on the art itself as it would be a source of art and how it concerns criticism that we are endowed, which means suffering so cruelly from our negligence ... The only eyes that relies on this work, it is that when you wear any form of union reveals an unexpected order.

So we have two reading levels. Rediscovery "Induction" of basic laws of art and conquest of uniqueness by the immediate visibility. Comment and object to the present time, image and style.

"Perceiving a work," says Renaud Dechamps about the work of Bernard Plantive is a phenomenon which places the viewer between reality and realization, the notion that a search of his own environment, and mutatis mutandis , led him to probe the investigation conducted by the artist. A necessary dialectical in that it needs the experience other to achieve a complete notion of special knowledge " (3) .

There are phenomena that affect the regions to be exulting even by their deep attachment to the synthesis of faculties, the spectacle of the meetings. Proposal suggests ways we can with basic materially illuminate the power of seizure beings (4) : the tables fall cleanly into this joint since they are both the start and accomplishment.

Notes:

1 Charles-Arthur Boyer, Bernard Plantive, measurement and space , catalog Ninth International FRAC Pays de la Loire, 1992 16.
2 According Gestalt theory, a form is a whole other thing and that is more than the sum of its parts. This means that the concept of element is rejected in the strict sense of the word.
3 Dechamps Renaud, Bernard Plantive , text of the exhibition at the Chateau d'Angers 1994.
4 Entering the intended meaning or Heidegger, the logos from legein , seize.

© Fields of Art

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Bernard Plantive #07

The message is both personal and didactic art, it would not this world a statue by the artist's imagination that he transcribed, even though he would deal with a surplus of lucidity. This would be something that lies somewhere in the manner which articulate man by her gesture that reveals and shows us the world. One way, described him as Claude Levi-Strauss, from a set (the object and the event) to the discovery or rediscovery of its structure (1) .

The genesis of a work is important, but it must be understood, beyond the obvious, like the ability to make us not a spectator event, but the "light" perceiving real qualities of the work (the "viewer" looks Bernard Plantive, after Duchamp), tightening its product on the episode and the permanence of art. One way ride on the world of reference, but also in the rediscovery in the reconquest of the extreme singularity, a universal technique in which the work is "elementary" lends itself naturally.

Examine the work of Bernard Plantive would not analyze its components, but stick to the abeyance of them, which makes effective the view that we must carry on this work . A hold precisely due to the fact that our perception does not look any further, an examination surface that triggers a new "agenda". No organic mixture in the sense that the product of mixing one account, the emergence of forms but not this time this kairos Aristotelian, which allows to understand the true qualities, to realize that the essence of art, says Bernard Plantive is "both" sacred "and pathetic" (2) . The sacred and the absurd: areas where realizes the true nature of the object.

must be well understood, as well as works eyeing reality, beyond interpretation, that clearly sets out what it is, something independent, something that affirms his freedom by what the same sense of purpose reveals: object, thrown before before the eye, by a desire contained in the thing, or more precisely by the capacity of a thing to be seen with us. Approach that opens up all kinds of adventures, beginning with that of Malevich that we will see later, Bernard Plantive is particularly committed. Adventure where "non-representation is not absolute, but is simply" (3) .

But understand that this event continues to keep her secret, despite the historically art world to which it relates. Beyond its value, its origins or its history, one thing appears to me it seems simple, yet it is not the thing itself that appears. The moment I understand that the thing can not be free to appear to me it must be sought elsewhere, behind the object somehow, to discover that there is something else that allows the object to appear. Rather than focus on perception, which goes to the object just to remove a given incomplete, we must focus on the object, which, instead of being viewed as a particular content, is in the manner in which he gives himself to us and appears (4) .

The rectangle table refuses in its individual donation to any book, deflower. If taken as the special case of gasoline the rectangle, it will not be like having all characters of the "generality appropriate to the species." The strange peculiarity of table, his posting material, tangible, verifiable, the pose more than others as a real object, huge, pervasive, even triumphant despite its small size.

We watch, without offering any real resistance, an object subject to the laws of the magnitude and shape. And yet during the rustle of our observation, something happened without our knowledge. In choosing which puts him away from any interference, either alongside more massive objects which he said at the solemn presence due to their exposure, the subject woke quadrangular in our judgments of strange bodies. We remain silent to this subject not because he does not have enough things that we have to talk about forever, but because he rushed to the back seat of our perception to return intact on the wall its host. We remain silent because we are faced with a simple "astounding." Of these objects, we found no mental gardens or recovery impossible prohibits a look. We remain in effect confused by the layer of the absolute form of identification at trial. Reversibility which exceeds the opacity of his face and makes it blind to the contrary extraordinarily transparent.

is there, this has immediate visibility into our head that we are perceptive bec, suddenly arrested by the arrogance of this object, by imposing its form and complete freedom to dispose our most basic patterns. It is we who become transparent.

Notes:

1 The myth follows the reverse path as part of a structure, whereby he undertook the construction of a set: object and event. Claude Levi-Strauss, The Savage Mind , Paris, Plon, 1962, p. 41. We shall see in Chapter "work", the importance of this analysis.
2 Bernard Plantive, Workbook , 1 June 1991.
3 Jean-Claude Marcadé, "From the eclipse of the objects the release of space "in Jean-Claude Marcadé, Malevich Book No. 1, a collection of essays on the work and thought KS Malevich, Lausanne, L'Age d'Homme, 1983 p. 114.
4 Edmund Husserl, Ideas guidelines for phenomenology first section, "The knowledge of species and species' first chapter," Done and gasoline ", § 3, translation of the German by Paul Ricoeur, Paris, Gallimard, 1950.

© Fields of Art

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Match Ottweiler

About thirteen hours we welcome our German friends with their Greek friends and a group of students in class CE2 Ottweiler to come for three days of exchange with their French counterparts. Every French family supports German and Greek partners to begin a four-day stay. On Thursday afternoon, most of our German friends and Greeks were interested in visiting Heritage Hospital Chalon.
Meanwhile, students participated in Photos rally organized by the school group Henry Clement and various activities throughout the afternoon. The evening reception in the halls of Park City with Mayor of St Remy and representative Ottweiler, M Berder donor for school activities and the President-twinning.
Friday morning, children in sports in the gym and in the afternoon, an excursion to the park of Les Combes. The evening after, installation of the exhibition by teachers and students in the lobby of the hall Georges Brassens.
Adults are invited to a trip on the Canal du Centre and visit to Ecuisses Museum Skippers. The afternoon is free to wander the streets of Chalon with our friends.
Saturday morning, students visit the school H. Clement, library with reading a story passage to the exhibition hall G. Brassens and after dinner, head back to Ottweiler.
Adults have a cellar tour on the Chalonnaise and afternoon football games with veterans at the stage of St Rémy. In the evening dinner dance with band.
Sunday morning at nine o'clock our Greek friends go by bus to Frankfurt Airport and return to Greece in the evening. About eleven o'clock, a serenade was given the harmony of St Remy, official speeches by presidents and mayors, city council and drink farewell dinner hosted by the twinning committee of Saint Remy. It is sixteen hours and our German friends take off to return to Ottweiler.

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holiday with the twinning of 1 to 4 May 2008 in the Vosges

Family and Children are the focus of the twinning celebrations to be held from 1 to 4 May 2008 in Saint Remy. Seventeen children, fourteen German coaches arrive by bus Thursday 1 May A program meeting is planned with the children of school groups from St Rémy. Thursday afternoon, a photo rally is organized by school Henri Clement on Friday after a morning of sport, children will make a trip to the park Combes and evening will make contact with host families san-Reims. Saturday morning, they will visit the school H. Clement, the library to listen to stories and exposure of their activities in the lobby of the hall Georges Brassens to end their stay in the town of St Rémy.Jeudi first, we welcome our German friends of Ottweiler with their Greek friends of Vrilissia. Cultural and gastronomic activities are planned during the four days of festivity. Thursday, heritage tour of St. Lawrence Island, Friday morning a boat cruise on the Canal du Centre to Ecuisses Saturday morning a tour of the cellar in Givry, sports badminton, football veterans and the evening a dinner dance to celebrate the twenty-six years of twinning Saint Remy Ottweiler. Sunday morning, a serenade to the harmony of St Remy, official speeches and then drink the traditional farewell dinner with our German friends before returning to Ottweiler.

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Relaxation

Each year the twinning committees of St Remy and organize Ottweiler turns a relaxing way to put between our two cities. Saint Remy was the organizing committee this year and we ended a dozen people in the Vosges mountains in Saint Maurice sur Moselle. The accommodation provided was in a riding quality.
Our German friends arrived on Friday and san-Reims on Saturday morning. After a meal at the Auberge des Fontaines, hike the ball was always snowy Alsace proposed. The path that leads us to the top is lined with markers bearing information on the overview, historical facts, quotes about Europe ... Back in the cars we'll visit a homemade jams and decorative gourds. We return to the equestrian center for dinner. On Sunday morning, after breakfast chairs Evelyn and Frank accompanied by some organizers are meeting to refine the reception of our German friends and Greek on the anniversary of the twinning May 1 By late morning, the son of the house leads the tour the equestrian center with plenty of humor especially about the love life of her dog Lulu. In the afternoon we visit the pouring rain at a copper mine Thillot. The stay ends and we part happy to have spent some very friendly during these two days of relaxation.

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German courses

Galette des Rois 2008

Go was given to all students of German language courses run by G. Roux to share the cake. An opportunity to get together with old and new students to interact and exchange ideas about the glass of the friendship in the presence of President E. Perraud

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General Assembly

General Assembly of the twinning committee of Saint Remy
On Friday, 25 January 2008 to 20 hours

Committee Room twinning 20 rue Auguste Remy Martin St

Agenda

moral
Report Record Business Record

financial contribution of EUR 10 members
Election of the outgoing third
matters.

The moral report of Mrs. E. Perraud

In Twinning Committee as in any association President must at the General Assembly to review the directions taken during the past year and to propose ways of thinking for the future.
" Tradition is an innovation that has succeeded "Chateaubriand said. Since 1982
pairing with Ottweiler has become a tradition. Every year the holidays are a time of pairing strong festive and friendly which demonstrates the multiple relationships that are forged between our families, our elected brief associations between the people of our two cities. Yet as I recently said Claude Souchon, Mayor founder of twinning, the twinning with Germany, launched in the early eighties was difficult initially accepted by many of Reims-san because of the black pages of our common history still too recent. It was an innovation, a bold decision which over the years was a success, a success.
The twinning committee since the beginning is at the center of encouraging promotes and supports so much so that unlike other cities twinned our twinning is still alive.
Why Being paired with a German city is still tenable? I would see three answers to this question I ask myself sometimes.

First in line with what has been said we must maintain this friendship in the generations that follow us to do more with this neighbor relive what our parents lived.

Second, the two pillars that form the basis of the Europe we are trying to live on our continent, these two pillars of Europe is of course Germany and France.

Finally the third reason is what I live every day as a teacher who regularly organizes trade with Germany. French youth think about the Germans: Germany is not a picturesque country nor surprising therefore irrelevant to discover. But when they return, they were surprised to discover how the lifestyle, thinking of our neighbors are very different ours and the scenery is not far.

From the German side, I do not teach you anything, our neighbors love to come to our country because according to them there lives well: the translation of " as in clover " is in German: " like God in France . This expression means everything to the attractiveness of our country still on the imagination of the descendants of Goethe.
So by promoting exchanges between our two peoples, we encourage our small way the advent of Europe fraternal and concrete by breaking down the prejudices that exist between two neighboring countries always both so close and so different.
After these reflections we may ask: What do we do this year for innovative while continuing our tradition of twinning? We will of course promote continuity in inter-associations, trade so rich in humanity with disabilities. But this year's innovation of turning to the youngest: children, the future of our twinning. With this year's theme: " the place of children in our cities binoculars " we focus on one of the pillars of our society: the role of family and parent-child relationship. That's why we organized with the help of teachers and youth services in Saint-Rémy a meeting between parents and children of our two cities. This challenge if we note with success should allow our matching open to new families who might not be involved in our operations and therefore consistent with our objectives we open more widely to san-Reims.

Now lets our twinning cooperation with Pouni. For 10 years now that the Mayor of Saint-Remy signed the pact of friendship with what was then the Pouni Prefecture and has since become the Common Pouni, this policy of solidarity is one of the directions of Saint-Remy. During these 10 years, the twinning committee has supported and continue this friendship that emphasizes human relations, which requires understanding and excludes any form of assistance. The objective is to support the development of Pouni with the principle of popular participation and respect the requests of partners. It must both respect the traditions, customs and also support innovations initiated by the country itself. Thus, having become Pouni rural town full year a municipal development plan was developed in 2007. This Municipal Development Plan provides us with an associate partner in the development of common Pouni a plea. The meeting between the mayors of our two communities last February was the starting point of reflection to identify common actions. The trip by Michel Goby in December and that of the President in February are all steps in this reflection.
Pending concrete decisions regarding the CEO, the twinning committee of Saint-Remy has not been idle since it was sent twice the funds to address social problems resulting in disastrous floods last August. On the other hand in connection with the collective solidarity of the basin Chalonnais the committee must be organized in close collaboration with the Mayor of Pouni a meeting between young people of our two countries in July.
To conclude we can resume our account of Chateaubriand this maxim: " tradition is a successful innovation " Our matches have become tradition in the landscape san-Rheims and through the involvement of all these decisions innovative and risky departure became rich achievements in humanity and brotherhood.